This is basically the quarter cask with an additional rest time in refill sherry casks. I know many reviews panned this for being less brash and in your face than other Laphroaigs, now that it’s discontinued, it might get more love?
Nose: Cough lozenges, black licorice, antiseptic, that note of germinating grain, vanilla, loads of sweet oak, salty, the nose feels a bit closed.
Palate: Oily, astringent grain, smoked fish, and carbolic give way to sweetness, currants, dried fruit & spices. The palate is soft, all in vanilla, menthol and earth.
The Blab: The medicinal elements seem to sit tight amidst the successive oak treatments, the ashy smoke is what is replaced by the sweeter elements. Not the one for those looking for that Laphroaig slap in the face but if you like the the distillers editions of Lagavulin and Talisker this is a winner.
This expression is the first to be added to Ardbeg’s regular line-up in many years. A vatting of different cask types (ex-bourbon, virgin oak, px), all finished in Ardbeg’s new European oak marrying tun.
It’s received a fair bit of flack, let’s see what the fuss is all about.
Nose: A hint of Ardbeg’s coal and diesel smoke, then sweeter, cookie dough?Jordan almonds, vanilla, candied fennel seeds, menthol a bit of ginger. It’s nice if a bit subdued.
Palate: Ashy right out of the gate,vanilla. prune sauce some cinnamon. It has some bite, soot, sweet dough, a tin of smoked herring being opened in a bakery. It’s got many of the hallmarks of what makes Ardbeg good but pushed down by the oak.
Finish: Green branches, the astringent lemons show up late to the party. lots of oak, char, vanilla, loads of ginger, a tiny bit or earth.
It’s not neutered like Laphroaig select but it is a more rounded version of the kildalton crusher. They’ve tamed the feisty young Ardbeg spirit, making it sweeter and smoothing over the mineral and maritime edge.
I don’t hate this, it’s well made and enjoyable but at a time when so much Scotch is being homogenized. I would prefer they embrace the challenging nature of their whisky rather than blunt it.
Edradour is a small highland distillery, in the 30’s it was apparently owned by a New York mobster. In 2002 it was bought from Pernod Ricard by Andrew Symington, who also runs independent bottler Signatory, in some ways its not unlike the Springbank/Cadenhead connection, the distillery output is very low less than a 100,000$ liters a year, yet despite that they manage to make both peated and unpeated variants and use a staggering amount of cask types.
Stangely the 10 year old is the only one of their whiskys which they “chill filter” and it’s bottled at 40%. It’s weird since Signatory is know for its unchillfiltered line. It’s a vatting of bourbon & sherry casks, no specific mentions.
Nose: Musty, damp basement, funky, a bit of sweetness, vanilla, milk jam, a feeling of oxydized sherry, the tiniest hint of peat, like smelling burnt leaves in the distance.
Palate: At first I got chinchona bark like in tonic water, it was very weird. Allspice, black earth, puer eh tea. It veers into full on malted barley notes but with a good dose of oak spices, there is also a feeling of sharp cider.
Finish: Oak, caramel, coconut oil, juniper, a touch of chlorine & damp concrete.
What a ride! This thing has lots of character, despite the low ABV, it’s not an easy one but none of it was unpleasant. Some bits reminded me of the grimy side of Springbank.
That said I wouldn’t buy a bottle of this, it lacks some of the depth to push it into the high score territory. I am definitely curious to try more from this distillery.
This is an NAS single malt from an undisclosed Islay distillery. This brand comes from Ian Macleod’s company, who’s portfolio includes, Isle of Skye, Glengoyne & Thamdu among others.
Like most of these type of releases there’s much speculation on the origin of the casks for this whisky. Many speculate that this is a vatting of young casks of Ardbeg that don’t quite meet the company’s standards. Let’s see.
Nose: Smoked herring, damp cellar, creosote, it leans towards Ardbeg or Laphroaig heavy smoke. Salt, a smidge of vanilla, a little mercurochrome nothing else…maybe salt ham.
This whisky was released to much fanfare in the whiskysphere, with reason. There is so little lagavulin variety on the market, the masses are starved.
It provides things fans of the 12yr old love, little to no cask play (the color is like Sauvignon), it’s served at a decent proof (48%ABV) and lastly that resounding 8 yrs age statement all bold and brash youth instead of an NAS with a fairytale name.
We know from many other contemporaries that young Islays can be superb and explosive (if a bit narrow in profile at times).
Nose: Mineral, green, diesel fumes, burnt hay, almond oil. Its very mezcal like, génépi, bakelite, ashy smoke. With time freshly shucked oysters, a smidge of powdered sugar and pears
Palate: Dark, sharp,oily, acrid smoke. Bitter plants and artichokes, toasted and salted marcona almonds and lovage.
Finish: Bitter, inky, wet wool and grapefruit pith, it’s medium in length very drying. The quality of the distillate is without reproach.
Somedays this is really superb, firing on all cylinders. Other days it’s kind of hangs on to one note and goes with it. I wasn’t crazy about this bottle at first. I didn’t gas it and I find the final half much better although I don’t think it’s changed dramatically. A good young uncompromising whisky. I’m not convinced this was only a cash grab.
That said, as many feared (or wanted) this has become part of the regular line-up. At prices like I’ve seen in some states (45-65$) I would buy this again. Locally it’s a 100$ at that price point it competes with many other whiskys and the 16yr old is 129$, I am unlikely to buy a replacement soon.
Yet another Octomore review and I have been searching for the best way to introduce this review. This was the first .3 iteration of the series, the culmination of much of the terroir driven work at Bruichladdich, 100% Islay barley grown on the farm that gave this whisky it’s namesake, by a guy named James Brown no less and peated to the eye watering level of 258ppm, a process that apparently requires several days of careful monitoring.
I believe the work that the Laddie team has been doing is really unique and admirable. One could view it as just being their marketing “shtick” but somehow it resonates with me this idea of making a spirit that reflects the surroundings and climate. Their trials using less popular barley strains and growing grains in proximity to the distillery is in some ways a return to tradition.
Let’s see if any of this is reflected in the final product.
Nose: Farmy and greasy at first, then a bit of melon, lime oil (like the aftershave), a feeling of dirty juicy fruit gum, dried cereal, hot cornbread. Then comes the Laddie split-milk notes, lamp oil, cold campfire. With time a growing minty/herbal side, salted licorice, a bit of cinnamon and vanilla. The smoke is always present wrapping everything together.
Palate: Sharp, sooty, sweet, almost fizzy, diesel fumes and cantaloupe. A handful of black earth and lemon lozenge and citrus peels. It turns more mineral and bitter in the center before returning to a fun mix of sweet, creamy and herbal, vanilla, corn pudding and gentian.
Finish: acrid smoke, earth and grains and a bit of sweetness, the lactic note is present but not overpowering. I found it much less sweet than other versions, the body is huge, just really oily and viscous.
It is fairly close to the standard versions of Octomore but somehow more earth and grain shine through, the herbal\mineral integrated with the sweetness, very well balanced
Lastly, you know you’ve made a good friend when after an evening out eating and indulging in a couple of drams, they end slip you two quite generous samples of Octomore for no other reason than the pure pleasure of getting your impressions of the stuff. I want to thank fellow Connosr member Robert99 for providing me the opportunity to dig myself deeper into Octo-obsession.
*photo credits:Octomore farm l’oeil sur le vin blog, Rockside farm Bruichladdich website.
I have been looking forward to this whisky since the press release last year, I almost asked a friend to bring some back from USA but then found out the KGBO would get some in September.
The concept behind this second edition of the experimental series really piqued my curiosity. The twenty Glenfiddich brand ambassadors were locked in a Glenfiddich warehouse and were left to fight it out “Battle Royale” style with nothing but oatcakes and whisky as sustenance…
Err, actually each ambassador chose their favorite cask from said warehouse and then head blender Brian Kinsman and team went about wrestling them (the casks not the ambassadors) into a cohesive whole.
I’m stoked that Canadian brand Ambassador Beth Havers is the one who chose the port pipe. She knew that the combination of ‘Fiddich and port pipe was rare and bound to be interesting. I wish I could taste that straight from the cask, even one of those rich bourbon cask other reviewers have been swooning over. C’mon William Grant and sons! A single barrel, cask strength…doesn’t have to be that old, let’s say 12-14yrs…I’m daydreaming again.
I’ll save my NAS rants for later, proceed with your own set of rules. I wanted to taste what a junior TUN 1509 treatment would do for Glenfiddich.
Nose: Grape candies, the smell of brioche dough left to rise, a bushel of apples and pears, vanilla & oak. After some time the rich malt scents are met with a light cinnamon, allspice, then milk chocolate covered raisins and sugar pie.
Palate: Rhum baba, fresh pressed apple cider, vanilla extract and marshmallows. It’s got a pleasant sharpness, oak tannin are present with tons of good dried fruits, abricotine (apricot croissant). The mouth feel is full and pleasant.
Finish: Long, precise and the spices are still there. Baked apples, cake batter, plump raisins, a little leafy side and almond cream.
I could drink this endlessly, perfect dram for autumn, rich and dense, the sherry and port cask make their presence known against the round sustained sweetness of the ex-bourbon barrel. I am looking forward to seeing what other experiments are brewing at Glenfiddich, I know the third edition was released a version of their Gran Reserva 21 yr old whisky but finished in Canadian icewine casks, seems interesting thus far, I hope the series won’t be cask finished focused only.
That said it seems this release was a success as in a recent episode of “the whisky topic” Beth Havers mentioned that project XX would become a permanent addition to the line-up. It’s good news as this is really beautiful whisky. I think this kind of vatting would absolutely shine at full strength, especially since we’re gonna lose the distillery edition, wink-wink, nudge-nudge.