This is basically the quarter cask with an additional rest time in refill sherry casks. I know many reviews panned this for being less brash and in your face than other Laphroaigs, now that it’s discontinued, it might get more love?
Nose: Cough lozenges, black licorice, antiseptic, that note of germinating grain, vanilla, loads of sweet oak, salty, the nose feels a bit closed.
Palate: Oily, astringent grain, smoked fish, and carbolic give way to sweetness, currants, dried fruit & spices. The palate is soft, all in vanilla, menthol and earth.
The Blab: The medicinal elements seem to sit tight amidst the successive oak treatments, the ashy smoke is what is replaced by the sweeter elements. Not the one for those looking for that Laphroaig slap in the face but if you like the the distillers editions of Lagavulin and Talisker this is a winner.
This expression is the first to be added to Ardbeg’s regular line-up in many years. A vatting of different cask types (ex-bourbon, virgin oak, px), all finished in Ardbeg’s new European oak marrying tun.
It’s received a fair bit of flack, let’s see what the fuss is all about.
Nose: A hint of Ardbeg’s coal and diesel smoke, then sweeter, cookie dough?Jordan almonds, vanilla, candied fennel seeds, menthol a bit of ginger. It’s nice if a bit subdued.
Palate: Ashy right out of the gate,vanilla. prune sauce some cinnamon. It has some bite, soot, sweet dough, a tin of smoked herring being opened in a bakery. It’s got many of the hallmarks of what makes Ardbeg good but pushed down by the oak.
Finish: Green branches, the astringent lemons show up late to the party. lots of oak, char, vanilla, loads of ginger, a tiny bit or earth.
It’s not neutered like Laphroaig select but it is a more rounded version of the kildalton crusher. They’ve tamed the feisty young Ardbeg spirit, making it sweeter and smoothing over the mineral and maritime edge.
I don’t hate this, it’s well made and enjoyable but at a time when so much Scotch is being homogenized. I would prefer they embrace the challenging nature of their whisky rather than blunt it.
Edradour is a small highland distillery, in the 30’s it was apparently owned by a New York mobster. In 2002 it was bought from Pernod Ricard by Andrew Symington, who also runs independent bottler Signatory, in some ways its not unlike the Springbank/Cadenhead connection, the distillery output is very low less than a 100,000$ liters a year, yet despite that they manage to make both peated and unpeated variants and use a staggering amount of cask types.
Stangely the 10 year old is the only one of their whiskys which they “chill filter” and it’s bottled at 40%. It’s weird since Signatory is know for its unchillfiltered line. It’s a vatting of bourbon & sherry casks, no specific mentions.
Nose: Musty, damp basement, funky, a bit of sweetness, vanilla, milk jam, a feeling of oxydized sherry, the tiniest hint of peat, like smelling burnt leaves in the distance.
Palate: At first I got chinchona bark like in tonic water, it was very weird. Allspice, black earth, puer eh tea. It veers into full on malted barley notes but with a good dose of oak spices, there is also a feeling of sharp cider.
Finish: Oak, caramel, coconut oil, juniper, a touch of chlorine & damp concrete.
What a ride! This thing has lots of character, despite the low ABV, it’s not an easy one but none of it was unpleasant. Some bits reminded me of the grimy side of Springbank.
That said I wouldn’t buy a bottle of this, it lacks some of the depth to push it into the high score territory. I am definitely curious to try more from this distillery.
Thirsty Thursdays are back at the SAQ (ok they’re not officially called that) and I had a good enough window of time to be able to attend. 4 whiskys for 15$ even if you fall in a dud line-up it’s still a great way to expand your palate.
By now even the casual whisky drinker will know of Auchentoshan’s triple distillation. Usually they will go on about how it’s more it an Irish thing to do, although I’ve come to learn that isn’t necessarily the case.
It’s core expressions are usually affordable, making them a maintain of those top 10 lists, you know the ones, top 10 whiskys for beginners, top 10 gifts for fathers day under 75$.
What is certain is that in its OB format ‘Toshan tends to be very polarizing, it’s a supple spirit that is often presented at anemic proofs and can be botoxed to excess by oak manipulation. This will be the first time I have an older version.
It’s a mix of bourbon & sherry casks no specific vatting info.
Nose: Pastry dough, or let’s make that cinnamon buns, apple, some guava. I get a good bit of the grain coming through, powdered sugar, a little latex. It’s pretty delicate, with time develops some fruitiness, jujubes. A smidge of pineapple.
Palate: Milk chocolate, cashews, candlewax, raisins, I get a bit of sulfur, powdered ginger, lemon rind, there is a surprising amount if grip for 43%.
Finish: light, grassy barley, a little bit if fruits but it suffers the most here, it loosens it’s hold fast, leaving little impression after you’ve swallowed.
There are some nice aspects to this whisky, I like the attack on the palate, where the grain notes are holding their own against the sherry. Sadly the texture is so limp that the finish fails on the promise. One of the better versions I’ve had but still good, not great.
Ok it’s been a while faithful readers…wait mom don’t leave! I am trying to get a backlog of reviews cleared, this one I have to admit I’ve struggled with, not the whisky but just finding which way to broach the uniqueness of it.
Ok so for whisky cognoscenti and most informed consumers, you know all about Four Roses and it’s 5 yeast strains and 2 mashbills, allowing for up to 10 different variations to be made in one facility. It’s a geeks delight, one that I know annoys some as they probably have a friend who won’t shut up about the whole thing.
What’s interesting to me is that this mostly came about under the Seagram’s ownership of the facility. This is a pattern we would see repeated with many of the company’s other distilleries, it really was a brilliant move, remember at the time Seagrams was pumping out all kinds of blends and moving facilities to this type of arrangement would not only allow for greater consistency but would make them less reliant on sourced components for their blends.
This scheme is repeated famously at Crown Royal but also what made Benriach such a stellar purchase for Billie Walker & co, since they had all kinds of style of single malt whisky in inventory.
As it is this yeast driven scheme is one that is sadly still underused in distilling today, it’s the one area along with terroir (that is barley types & provenance) that I believe could help usher positive change in the industry.
Ok enough blab, The Four Roses Single Barrel is one of the 3 products in their standard line-up, it is always composed of the same recipe (OBSV) so it’s from the higher rye mashbill with their fruity yeast strain and it is bottled at 50% abv. mine is from warehouse US barrel#76-3A.
Nose: Minty, rye spices, cloves, slight vegetal notes. There’s sweetness but it’s not big bombastic corn but more like Turkish delight, corn porridge, clean oak. Honey that you licked off a Popsicle stick, a little apple and apricots… Its not a big thick chewy toffee vanilla bomb.
There is a touch of something acetic, a little vinegary but it works in this context but could trigger you into acetone territory if you’re sensitive to this.
Palate: Caramel, honey candy, loads of oak, cinnamon and cloves, the carpentry is in check not too forward, There is a feeling of beeswax or coconut oil? Floral, candied angelica and celery leaves, a bit of black licorice. There is a touch of something acetic, a little vinegary but it works in this context but could trigger you into acetone territory if sensitive.
Finish: Creamed honey, a bit of cucumber, vanilla, apricots, plum frangipane tart.
I feel like this is really in a category of it’s own, it’s still clearly bourbon and has those familiar touchstones. Yet the nose with it’s almost sharp acetic edge and the palate with those vegetal, creamy touches make it an outlier, it’s a fun whisky to dissect.
I can see the Four Roses style as being very polarizing, those who dig it will be amply rewarding, it’s next level bourbon in the best sense. It’s also fantastic value about 50$ at the LCBO.
Alright, so I’m prepping for Spirit of Toronto and a dapper guy in a blazer hands me a box with my name on it and then scribbles a few notes with instructions to follow, I’m like awww shit…cue the Lalo Schifrin score I accept the mission!
Well close enough…the sample is courtesy of @paddockjudge, he did give me instructions on the order in which I should proceed with a trio of samples he provided. These we’re mystery samples I tasted blind #1 was Danfield’s 21 reviewed here the Wiser’s 35 was my second one.
Nose: Vanilla, mackintosh toffee, apple skin, a hint of buttered popcorn, soft rye spices, lots of sweet oak, really well balanced.
Palate: Honey, a good amount of oak, the rye contributes cloves, orange flower water, a slight peppery bitterness, the vanilla is present but not overbearing, a good richness.
Finish : Green bell peppers, waxed apples, fresh bread and a little lemon slices. Lots of cloves and oak.
Subtle but full the nose is much bolder than Canadian Club 40 which was a bit of a snooze. I’m not sure if this is only due to the addition of a bit of rye in the blend, or how the bonds of aged corn whisky are handled. From what I gather they tend to consolidate barrels in the Pike Creek warehouse so there isn’t as much effects of evaporation.
This 35 yr old is another whisky I would be curious to taste blind along with some older bourbon to see how it would fare.
After having had a few really good bourbons last year I vowed to try and purchase more of them this year. While I have been eyeing some of the premium selections, enough members on Connosr waxed on about Wild Turkey 101 saying it offered more than one would expect from a bourbon in it’s category. I figured I didn’t have much to lose, worse case it could be used for cocktails.
I poured a dram in both a Canadian style Glencairn and a traditional one to be able to compare.
Nose: Fresh wet oak, caramel corn, a kind of dusty cumin and allspice, pleasant warm grain/corn porridge note.There is a smidge of green apple skin and then lots of cherries building up. There’s a persistent astringency and bite from the alcohol. The Canadian Glencairn, offers more oak/cedar and herbal intensity, a touch of cinnamon red hot candies and a minty feeling. The rye blooms towards the end, with a bit of yeasty brown bread too, it’s a very warming and inviting nose.
Palate: Sweet and dry, creme caramel and rising bread, oak, green plantain, bran muffins, spicy rye and savory feeling on the tip of the tongue, like mountain mint or oregano, a sort of resin-like feeling. Definitely a bit sharp when it first hits your throat but it’s just go this great chewy mouthfeel to it.
Finish: It fades away quickly, leaving a bit of tobacco, sweet vanilla and then turning to dry oak, a bit of barrel char, Turkish delight and caramel corn.
The Canadian Glencairn performed really well here it had a bit more burn but the bourbon felt fuller with more complex, with a bit of a floral touch whereas the nose was darker, closed even a bit dustier when using the traditional glass.One thing to note, there is a drying astringent bite to this bourbon that I generally find pleasant but at times can be off putting.
Overall I really enjoyed this bourbon, it can be easygoing with a large ice cube to sip on a hot day, works well in cocktails due to the abv or can provide enough interest if I want to have it neat and take my time. At 36$ it’s got great value as well.
Canada has a rich history of whisky distilling yet I believe it is in the grips of an existential crisis. This one’s gonna be long but interesting so buckle in or skip past the photo of the bottle for the review.
To understand let’s take a brief look at the industry, like elsewhere in the world, it can be split between the old and new guard. The old guard is composed of several large facilities spread out across the country, these are the survivors of consolidation and account for the majority of the whisky produced in the country.
Then there is the new guard, micro and not so micro-distilleries that have been built mostly within the last 15 years or so. Some of the bigger players are off-shoots of breweries and wineries, others are smaller boutique operations. It is a mixed bag with some deciding to focus solely on single malt whisky, while others are finding success in diversification often selling a lot of gin, bitters, vodka and not only as a means of funding their whisky portfolios.
So what’s the problem, Crown royal is still one of the top selling whiskys in the US, right behind Jack Daniels (don’t tell Trump! or Kentucky), Flavored whisky sales are still giving reps a hard-on and Wayne Gretzky launched a successful whisky brand…why am I being an arsehole?? What’s next? Am I going to shit on the holy institution that is Tim Horton’s?
Well the problem is that most of what is being sold, even some of the new stuff is still the same old boring shit, it just happens to be our shit and so it’s kind of comfy in the diaper if you ignore the smell. I am focusing on what is labelled as “Canadian whisky” not the single malts, that’s for another post altogether. Many stick with the smooth light, caramel, 40%ABV, kind of nondescript and boring…I don’t care if it’s finished in a wine-cask, the base is boring as old balls.
Ask many whisky connoisseurs how they feel about Canadian whisky and many don’t have a good opinion of it, there are many reasons why but they all boil down to the same conclusion. There is just too much, low proof, smooth harmless whisky being released. It’s like they got stuck in the 70’s and didn’t budge. What if people don’t want to drink high proof flavor bombs you ask? Well bourbon is flying off the shelves here, The LCBO made a Facebook event for Old Weller 107 and everyone crapped themselves and cleared the shelves within a week. Lot 40 Cask Strength almost caused a riot (well a Canadian riot so a really polite one) upon release and folks have been clamoring for offerings of the same caliber as we are getting from elsewhere in the whisky world.
Not all is lost, the tide is turning albeit very slowly, the release in 2017 of Corby’s Northern Border Collection was a major step in the right direction. Many would trace the turning point to 2012 as Wiser’s re-release of Lot no. 40 and Pike Creek but I think the true beacon and to me still one of the best examples of what good blending can bring to the category was J.P. Wiser’s Legacy.
Legacy was released sometime in 2010, it was a tribute to it’s namesake and was unique on a few points. At the time there were few “ultra-premium” Canadian whiskys (Wiser’s Red Letter and some Crown Royal Editions) but this differed in that not only did it push a very rye forward recipe but also sported a proper drinking ABV of 45%. It had a good amount of success but in the final years of it’s availability (2016-2017) was largely ignored by folks and was ultimately discontinued. (I think in part because it would have competed with Corby’s other new products) Sadly I believe it was not exported much either, so few outside of Canada had knowledge of it’s existence.
I’ve blabbed enough let’s dive in and see what makes this one so special.
Nose: Caramel corn, mackintosh toffee, golden delicious apple and a little barrel char perhaps? Then a good dose of cloves, allspice, and ginger, the addition of that Wiser’s pot-still rye (AKA Lot No 40) is very apparent here in the middle. There is a bit of a lemon pith bite, you can feel the alcohol on the nose but it’s not harsh , it gives zing and there’s a lingering creamy, buttery bread note too. Really pleasant!
Palate: Sweet oak, brown sugar, a slight mineral tang, lemon zest, pretty silky entrance from the corn which then leaves behind the spicy and fairly drying astringency, it seems like it sticks to the middle of your palate. It has this boldness that many other blends lack.
Finish: Medium in length but effective, on lingering warm spices, maple butter, cedar and a minty, coppery tang.
I like that it’s still clearly a Canadian whisky but you see what a bit of boldness and good blending chops can bring to the game, definitely a yardstick by which to measure other entries in the category.
Don’t get me wrong I am not shitting on other products, I think there is a place for all types of whiskies, I just think too many products are operating in the same spectrum and there is a notable void created by the absence of premium Canadian whisky. It’s not like we don’t have good stocks, look at how much of it leaves the country and is sold under the guises of Whistlepig, Masterson’s, Crown Royal Hand Selected Barrels and so on.
I know very little about Danfield’s 21, I do know that it was a brand that was once produced at the Schenley distillery (Diageo) in Québec and that it is now produced in Lethbridge Alberta at the Black Velvet distillery (Constellation Brands). It seems to be one of those classic Canadian whisky brands like Gibson’s Finest, which has been bounced around from home to home.
This sample is courtesy of @paddockjudge, I had the pleasure of being the recipient of a small box containing a plethora of mysterious elixirs decanted by the man himself. Three of the whiskys inside had instructions concerning the drinking order, this is the first of those samples tasted blind.
Nose: Brown sugar, vanilla and a good dose of spices that seem to stem from the wood, in this case cinnamon and a bit of nutmeg. Loads of oak, like a carpenter’s shop, a little green bell pepper and paraffin, it’s quite a bit nippy.
Water softens the nose, bring in some honey and increasing the vanilla.
Palate: Oak & cedar, warm caramel with loads of brown sugar and baking spices. Grapefruit pith, white pepper and a touch of wax. Surprisingly hot for, 40%. Nice mouthfeel.
Water brings out cardboard, more spices, reduces the bitterness a touch.
Finish. Is medium length, that sweetness you can only get from corn whisky, some astringency from the oak, a little cardboard, and chili pepper not as sweet as on arrival,
I feel like this is a perfect representation of a classic Canadian whisky, I found the bitterness a bit off putting at first but with time it seems to bring equilibrium to this blend. The wood notes are interesting because they push into the cedar/tobacco like territory. This isn’t my favorite Canadian whisky but it’s hard to deny that this is a well crafted gem in a style that doesn’t seem to be as popular.
Late last year a friend offered to mule a few bottles from South Carolina if I had them shipped to his place in advance, I attempted to select bottles I knew I would be difficult to obtain in Canada.
In the end two of the three bottles he brought back contained whisky distilled in Canada (the other was a Crown Royal hand selected barrel), the other was this bottle Whistlepig store selection, a single barrel at 56.7% abv for Third Base Market & Spirits.
At this point it’s public knowledge that the 10yr old Whistlepig whisky is 100% rye sourced from Alberta Distillers Limited, a powerhouse of a distillery that has over a million sleeping barrels of some of the best rye whisky. Sadly it’s a whisky that we rarely see on our side of the border in anything but it’s adulterated form (cut down to 40% abv or blended in the case of Dark Horse) or sold back to us by US firms under the guises of brands like Masterson’s, Hochstader’s & Whistlepig. This was the first time I was able to get a taste of ADL juice at cask strength (or nearly).
Nose: Waxy, rising brioche dough, rye toast and orange peel. It has a floral cologne like note, a bit of sandalwood, there is oak but it’s restrained. There is an almost soapy note but it’s fresh and clean it works well. The payoff with this whisky is to let it air out and then it really opens up, a sweet maple syrup like note with that mineral tang. Fresh and fermented grain, coriander seed and mint finishing on a bit of prune, almost like in Armagnac (perhaps from oak?)
Palate: Dry & sharp, floral & aromatic, there is a slight heat reminded you that this is almost 57% abv. Then it bursts with rye bread, a touch of cumin, apricots, candy apple & butter tarts. Full bodied, earthy and sweet salted caramel & cracked pepper, after the initial tickle there’s very little burn on palate.
Finish: Creamy like eating flan or pannacotta, more oak, earthy sprouted rye and a slight chalkiness, green fresh coriander like feeling.
The Blab: This is a great full bodied dram, more of a winter whisky than a fresh summery one. The bottle is in it’s last third and It’s lost some steam on the nose, it’s a bit closed and lost some of it’s initial peppery-ness and full throttle in your face rye.
That said the palate has bloomed I don’t remember getting as much dried fruits at first. This is really a sipper it takes time to discover and let everything come into play, it has a pleasant mineral waxiness that goes well with the sweetness, no dill notes either… I wish I could get a group together to buy a cask of this stuff.
Whistlepig 10 yr old “Third Base Market & Spirits” store selection